Hi! I’m Yara Samad, a designer learning at Carnegie Mellon and Central Saint Martins. Studying industrial design allows me to craft tools that reflect our history while solving present-day challenges, creating artifacts for future generations to learn from. I am curious about understanding how things work from mechanical and electrical understandings, and innovating to create forms that create ritualistic and intuitive interactions between humans and objects.

I view the world and my practice by looking at systems and power, human psychology, physiology, and neuroscience - how our physical traits relate to our emotional responses, and through cultural and historical lenses.  I strive to create products that maximize positive impact while minimizing harm to the ecosystems involved in their production. As not only a designer but also an actor, my biggest asset is understanding how people work. Humans are driven by love (our selflessness) and power (our self-interest), whether it is the search for these things or the exchange of them. I take the time to really listen to people and understand the lens in which they see the world. When I create, I see things through the perspective of the humans I design for, removing my ego and judgment, relating their lives to my own experiences. I love the process because it represents the best part of being human; going beyond empathy into compassion.

As designers, it is our life’s work to understand humans and I apply those same concepts I learn in my personal life to my practice. To me, I do not believe in that separation - what I learn in my personal life, I apply to my design practice, and my acting practice, and vice versa. 

Email
yara.samad@gmail.com

LinkedIn
www.linkedin.com/in/yara-samad

Phone
(312)-342-0092

Awards

Future projects

I am creating a modular makeup line that feels like an underwater treasure as an accessory to the clothing brand Versace in their medusa/aphrodite sea style. They tried launching a makeup line in the past that failed, and I plan to “relaunch” but take it in a completely new direction that makes users feel truly beautiful. Playing with makeup containers in the forms of shells, pearls, sea stars, sea moss, oyster, and sand dollars, each colorized in the customer's shades. Then these pieces fit together to create your own personalized seafloor with each shell encasing the refillable makeup cartridges. My goal was to blend high luxury with playful customization in a sustainable way, so you look at it and know instantly: that’s Versace.

I am currently collaborating with biomedical engineering students on a negative lung pressure ventilator. Unlike traditional ventilators that use damaging positive pressure to inflate the lungs, our device will mimic natural chest movement by creating negative pressure around the lungs, allowing them to function as they would in the body. We plan to build a cylindrical dome where the lung lobes can hang, using a needle-inspired mechanism to expand and contract the space for pumping. This experimental approach aims for a working prototype by the end of the school year.

My last project in my Design for Aging class involves studying how indigenous communities view aging as an embraced, natural process, valuing the wisdom it brings. I am exploring how these perspectives can inform universal, accessible design approaches.